Making Fine Art Affordable with Reproduction Oil Paintings
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Apr 23
Fine art restoration is the process of restoring an old or damaged piece of art into its original state or form. The original state of a piece of art is completely up to the imagination of the artist restoring the piece. This idea of art restoration was most popular in the past, and recently in the 20th century art restoration has made a strong comeback. Today, art restoration has a new point of view and focus to restore art for the future instead of restoring art to create a product for aesthetic value.1 Many professionals and art fanatics propose that the idea of fine art restoration is controversial, because the restorer is completely changing the original art or piece of work. This may drop the monetary value and even artistic value of the piece. Because of this, artists and restorers try to make their restoration as reversible as possible.
There are several methods in which a restorer can practice that are completely reversible. The most popular method is the use of water color.2 The most famous restoration of fine art with the use of water color is Leonardo Da Vinci’s “The Last Supper” in Milan, Italy.
Another very widespread, standard, and commonly used method on fine art restoration is the Tinted Varnish Treatment. This is among the most well known in-painting restoration techniques that are currently used. Once the piece is fully cleaned and varnished, this process is applied.3 The final stage of the restoration process involves going into areas where paint may be lacking, or where damage, discrepancies, holes and other irregular marks on the art. At that point, the restorer will use tinted varnish to go over the layer of the non-tinted varnish. This gives the impression and image that these irregular areas have been “re-painted”, although in reality it is simply a speck of tinted varnish put in by the restorer. Varnish is a clear, or transparent layer used usually on wood and pieces of work by artists as a protective layer. Generally, tarnish is made of a few ingredients consisting of resin, a paint thinner or solvent along with a type of drying oil. There are many types of varnishes, including violin, resin, shellac, alkyd, spar varnish, drying oils, polyurethane, lacquer, acrylic, two part, and conversion. Stippling is most commonly applied when using tinted varnish. The process includes applying tiny dots in a row for change and adjustment.
Art conservation also includes maintenance of fine arts. Preferably, any process used that is reversible is ideal for anyone criticizing the idea of fine art restoration, especially because this subject is not taken lightly by many. Needless to say, cleaning is not a process that can be reversed, which can often stir controversy due to worries and concerns that cleaning would damage a piece. Sometimes, the value of a fine art can decrease once cleaned. Even though it is thought that because of its aesthetics after cleaning it may be valued more, it is actually less because residue and remnants left from the original piece is considered to be valuable history.